When painting each animal, attention to detail is what is important to me - how the bend of the body distorts the spots, how the stripes change direction slightly creating the form, how the fur clumps together or separates out because of the position of a limb, the weight of a fold of skin, even just the changes in fur type across an animal’s body. For me this is what breathes life in to the animal.
In contradiction to this my backgrounds are not an accurate depiction of reality; but rather they give me the opportunity to work in a more expressive style, applying the oil paint with a brush or knife, producing a world for the animal to exist in for that moment, and allowing the viewer to lose themselves in the work.
If you would like to see a selection of my current available work, please visit Marine House at Beer.
In contradiction to this my backgrounds are not an accurate depiction of reality; but rather they give me the opportunity to work in a more expressive style, applying the oil paint with a brush or knife, producing a world for the animal to exist in for that moment, and allowing the viewer to lose themselves in the work.
If you would like to see a selection of my current available work, please visit Marine House at Beer.
'Silent Steps'
30in x 40in
SOLD
30in x 40in
SOLD
'Lightning - Queen of Mukundra'
28in x 50in
SOLD
28in x 50in
SOLD
Thank you to David Shaw Wildlife Photography fo allowing me to use his beautiful photos as source material
'When the Day is Done'
28in x 42in
SOLD
28in x 42in
SOLD
'Fleeting Glance'
36in x 48in
SOLD
36in x 48in
SOLD
'I only have Eyes for You'
SOLD
SOLD
'Hunter Bold'
SOLD
SOLD